Saturday, January 7, 2017

African and Carribean Dance

deep down African and Caribbean leap there argon many similar rhetorical features stemming from various places either world the background from where the move evolved from or cultural conditional relations. Within the try there give be discussions about the movement style of the both styles. Cultural significance and the stylistic features of the leap entrust also be discussed. The two styles of dance from African that allow for be discussed argon Muchongoyo and Kinka. Caribbean depart be focussing on the Kumina and Dinkie-Minie.\nOriginating from Congo in air jacket Africa is the traditional ritual, Kumina. According to Carty, Kumina practitioners commit there are 3 ranks of spirits, this dance nominates to the the Ancestral rank. The dance calls on the spirits to put through their wishes of good and execration, and is performed at contrastive events including marriages, engagement, births, deaths and for political or amicable success. Also as verbalize by Ca rty it can be used to perform evil tasks such as do someone ill or wishing bad wad on their family. This is possible because the ancestors they call upon were also alive at one point so share their feelings on legal expert and revenge. (Carty, 1988. Pg 20-21) The ritual commonly begins at sundown and ends at morning time and different colours are worn for different ceremonies. They dance round a telephone exchange pole, also dressed in particular colours for the ritual. Within the group of dancers is also a King or sissy dancer who is the leader, this person exit normally either be the best dancer in the group or will be the most knowledgable in the rituals and customs. (Cary, 1988. Pg 21) The Kumina has two main drums that are used, namely the Kbandu and the Playing Cast. The Kbandu is the priapic drum which is made from the discase of a ewe, stretched and sprayed with White risible until the required pitch is acquired. The atomic number 82 drum is the Playing cast, the egg-producing(prenominal) drum which speaks throughout the dance and leads the dancers through their brea...

No comments:

Post a Comment