Conflicts and Themes of Godfather Death Essay

Notes adopted from Literature An Introduction to Fiction, Poetry, and Drama and A mulct Guide to Writing About Literature Fiction A nominate for stories not sinlessly factual, solely at least parti on the wholey shaped, do up, or imagined. Stories can be based on factual substantive (I.e., the historical novel) but the factual information is of secondary importance.Ex at rest(p) with the slue. Types of FictionFable A brief account record that sets forth or so institutionalizeed statement of truth. Most fables involve animals endowed with human traits of event and cognizance but do at eras involve astronomical bodies and immanent physical forces with character traits as in The North Wind and the Sun. A fable customarily ends by explicitly stating its moral.Ex The North Wind and the Sun (5-6)Parable A brief narrative that teaches a moral, but unlike a fable, its plot is plausibly realistic, and the principal(prenominal) characters argon human. The morals of parables ar e as well as implied instead of explicitly stated.Ex The Parable of the ethical SamaritanTale A account statement, usually pithy, that sets forth strange and wonderful events in more or less bare summary, without detailed character drawing. cardinal variations of tales are fairy tales (Snow White and the Seven Dwarfs) or steep tales (Paul Bunyan and Babe the Blue Ox). Ex God mother demolition (8-10) before long Story A prose narrative too brief to be produce in a separate volumeas novellas and novels frequently are. The short story is usually a foc engaged narrative that turn overs one or two main characters involved in a single have action.Ex A&P (14-9)Novella In modern terms, a prose narrative longer than a short story but shorter than a novel (approximately 30,000 to 50,000 words). A novella is long affluent to be produce independently as a brief book. Ex Joseph Conrads nerve centre of Darkness Susanna Row passwords Charlotte Temple Novel An extended work of fictiti ous prose narrative. Because of its extended length, a novel usually has more characters, more veer scenes, and a broadercoverage of time than a short story.Ex The considerable GatsbyElements of FictionPlot The particular arrangement of actions, events, and situations that unfold in a narrative. A plot is not innocently the general story in a narrative but the authors artistic rule made from the parts of narrative including the exposition, rising and falling actions, climax, and denouement. One means to look at the organization of the happenings in m both works of fabricationalization is to see the plot as a pyramid or triangle.Freytags Pyramind3. Climax2. Rising transaction 4. Falling Action1. definition5. Denouement1. Exposition The opening portion that sets the scene (if any), introduces the main characters, secernates us what happened before the story opened, and provides any background information we need in order to conceive and care about the events that follow. U sually introduced to protagonist (Central character who usually initiates the main action of the story) and antagonist (a character or foe that opposes the antagonist) 2. Rising Action The early happenings, with their increasing tension. Often characterized by suspense (enjoyable anxiety created in the commentator by the authors handling of plot) and foreshadowing (suggestions of what is to execute later in the story).3. Climax The rising action culminates in a moment of high tension or crisissignals a turning point in narrative. (the word climax comes from the Greek word meaning break) 4. Falling Action What follows the climax or decisive moment and cartroads to the coda or denouement. 5. Denouement A conclusion or resolution that the contributor takes to be final. Point of View Refers to the speaker, cashier, persona, or voice created by authors to tell stories, present arguments, and express places and judgments.Types of points of viewParticipating First Person fibber ( I, me, my, and whatsoevertimes we, our, and us)A. A major characterwhitethorn be protagonist as is Huck in Huck FinnB. A minor character may be an observer, trip uping a story unfold thatinvolves someone else Nonparticipating ternion Person Narrator (she, he, it, they)A. All- get alonging or total omniscientthe narrator sees into the minds of all or some characters, moving when necessary from one to another.B. column omniscientthe narrator knows the feelings of the characters, but adds an occasional comment or spirit about the characters.Ex God draw endingC. Impartial omniscientNarrator present s the thoughts and actions of the characters, but does not judge them or comment on them.D. Limited or selective omniscientthe narrator sees through the eye of a single characterwho may be either a major or minor character.Other characterizations of narratorsA. Innocent narrator or nave narratorusually a character who fails to understand all the implications of the story. Ex Huck FinnHu ck accepts without question the morality and lawfulness of thrall he feels guilty for helping Jim, a runaway slave. But utmost from condemning Huck for his defiance of the lawAll right, so, Ill go to Hell, Huck tells himself, deciding against returning Jim to captivitythe author, and the reader, silently applaud.B. Unreliable narratorthe point of view is from a person who, we perceive, is deceptive, self-deceptive, deluded, or deranged.Character The verbal representation of a human beingthrough action, speech, verbal description, and commentary, authors portray characters who are worth caring about, rooting for, and even loving, although there are also characters you may laugh at, dislike, or even hate.A. Types of characters1. Round charactersauthors present enough detail about them to render them, full, lifelike, and memorable. They are dynamic meaning they recognize, change with, or adjust to circumstances.Types of round characters1. Hero or heroine2. Protagonist (the beginnin g(a) actor)central to the action and passs against the antagonist.3. Antagonist (the opposing actor)a character or force that opposes the protagonist.2. Flat characterscharacters that do not uprise but remain the equivalent because they are stupid or insusceptible or because they lack the knowledge or insight. They end where they begin and therefrom are static, not dynamic.Types of unconditioned characters1. Stock charactersflat characters in ensample roles with standard traits. They are representative of their class or group. They stay flat as long as they do no more than run their roles and exhibit conventional and unindividual traits. When they possess no attitudes except those of their class, they are called separate characters because they all seem to have been cast in the same mold.C. Versimilitude, Probablity, and globe Characters in fiction should be true to life. Therefore, their actions, statements, and thoughts must all be what human beings are likely to do, say, and think under the questions presented in the literary work. Setting Setting is a works natural, manufactured, political, cultural, and temporal environment, including everyaffair that characters know and own.A. Three Basic Types of Settinga. Nature and the Outdoorsb. Objects of Manufacture and anatomical structure (Ex Houses, both interiors and exteriors, park benches, necklacesc. Cultural conditions and assumptions (Ex The cultural setting of an isolated island cancelled the coast of Georgia would be different from the cultural setting of Atlanta.B. The importance of Setting to a Narrativea. A credible setting establishes literary credibility. One of the major purposes of literary setting is to establish realism or verisimilitude.b. Setting may be a strong guide to characterc. Authors may use setting as an organizing element.i. An author may use setting to organize the work geographically.1. Ex The protagonist may move from an expensive condo in downtown New York City to a ch eap apartment on Long Island. This move suggests not just now the economic decline of the protagonist but the social decline as well.ii. Another organizational application of place, time, and object is the framing or natural enclosure setting, whereby a work begins and ends with descriptions of the same scene, thus forming a frame or an enclosure. (Ex O Brother, Where Art Thou?)d. Setting may serve as literary symbols.e. Setting may be used to establish a works atmosphere.i. Setting helps to create an atmosphere or mood, which refers to an enfold or permeating emotional texture within a work.1. Ex Descriptions of bright colors (red, orange, yellow) may contribute to a mood of happiness. The rail line of such bright colors with darkness and dark colors may invoke gloom or augment hysteria. Tone Similar to eminence in poetry, tone in fiction is the authors attitude toward the subject being discussed. The authors choice of diction (choice of words), details, characters, events, an d situations lead us to infer his or her attitude.A. Irony When an author says one thing but means quite the opposite.a. Verbal Irony Most long-familiar form of ironywe understand the speakers meaning to be far from the usual meaning of the words. Ex Oh, sure, I just come to have four papers fall due on the same day. Often verbal irony is in the form of sarcasm operate statements tinged with mockery.b. Irony of Fate or Cosmic Irony Suggestion that some malicious fate (or other spirit in the universe) is deliberately baffle human efforts. Theme Like other forms of literature, theme in fiction simply refers towhatever general idea or insight the entire story reveals.A. The following questions can help you determine theme(s) in a narrative and organize those themes into statementsa. Look back at the title of the story. From what youve read, what does it sharpen?b. Does the main character in any way change in the story? Does this character arrive at any eventual identification or u nderstanding? Are you left with any realization or understanding you did not have before?c. Does the author make any general observations about life or human nature? Do the characters make any? (Caution Characters now and again will utter opinions with which the reader is not necessarily supposed to agree.)d. Does the story contain any in particular curious objects, any flat characters, significant animals, repeated names, song titles, or whatever that hint toward larger meanings than such things usually have? In literary stories, such symbols may point to central themes.e. When you have worded your statement of theme, have you cast into general language, not just given a plot summary?f. Does your statement hold true for the story as a whole? Symbol In literature, a person, place or thing that suggests meanings beyond its literal sense. Symbols usually contain multiple meanings and associations.A. Exa. In Herman Melvilles Moby-Dick, the great white whale is more than a literal dict ionary-definition meaning of an aquatic mammal. The great white whale, as the story unfolds, comes to imply an amplitude of meanings among them the forces of nature and the whole created universe.b. Also in A Rose for Emily, Miss Emilys invisible watch ticking at the end of a golden chain not only indicates the changeover of time, but suggests that time passes without even being noticed by the watchs owner,and the golden chain carries suggestions of wealth and authority.B. Symbolic Act A gesture with larger significance than usual.a. Ex For the boys father in Barn Burning, the act of destroying a barn is no mere act of spite, but an expression of his pro base hatred for anything not belong to him.Character Analysis on the Conflicts and Themes of Godfather finis Summary, Characters, Conflict and Themes of Godfather Death1. put on a Brief summary of the work using specific names, detail, and examples.In the story Godfather Death there is a father who has twelve children and wheref ore has another his thirteenth child, but he cannot afford this child. The father then decides to pass the most suitable godfather for his thirteenth child. The father passes up the heavy lord and the devil his reasoning being that end is equal and does not discriminate between people. Death gives the child a pass on for his baptism his gift is the ability to heal the sick as long as death is at their head if he was at their feet the person was to die.The doctor currently became famous and was well known through the country. The doctor soon found out the king was ill and when he approached him Death was at his feet, so the doctor switched the kings position so that Death was at the kings head. Death was upset at the doctors actions and warned him not to do it again. Well, the doctor disobeyed Death once more and this time Death said he must pay. Death took him to his cavern which had cadmiums ocean liner the walls, on the way down the doctor asked what the candles where for a nd death replied that they are peoples lives. Death showed the doctor his candle and it was almost out, so he doctor essay to convince him to let him live but death tricked him and put his candle out.2. List the names of the protagonist and major Characters and give a description of each using specific details in your discussion.The major characters in the short story Godfather Death are the doctor andDeath. The doctor is the son of a man who had twelve children before him and he is the thirteenth and the father cannot afford to keep him. The doctors father then tries to find the most suitable godfather for the child and he decides to give the child to death. Death is also a main character in the short story. Death is the godfather of the doctor he is a slim man that has a hard up appearance. The godfather is a very