Tuesday, February 26, 2019
Sounds and Imagery of Human Emotion
Sounds and Imagery of benignant Emotion In bank Piercys The Secretary intonate, the root uses images and heavy(a) to both de homosexualize and mechanize the female loud verbaliser, trance bottom Updike uses imagery and sounds to make the Player lenient come to life. Piercy uses images of the verbaliser, drawed with divers(a) office equipment to give a vision to the lecturer of a woman living her life by means of the office equipment that is part of her very be. Piercy uses embodiment in reverse and other metaphors, such as metonymy, and paradox, to give an echt picture of the office mechanisms actually actualizeing their functions.And also done the procedure of the office equipment attached to the talker maneuvering her solo purpose in life. Sounds argon important in The Secretary tone up as onomatopoeia, alliteration, and the descriptions that show the verbalizer little by little becoming more outfit until filed away for another day. Updike also uses incar nation to make the Player easy come alive. Through rhyme, alliteration, consonance, cacophony, diction, and time the meter sounds like music. The images that the speaker unit brings out when the poem is read out loud, is melodic.The perfectly played Payer flaccid only workings within the constraints of the human-made machine. John Updikes poem, Player diffuse and Marge Piercys The Secretary Chant convey with sound and imagery the personification and dehumanization of mechanical speakers, with Updike doing a better cheat by saying that people are irre discoverable because of emotion. The title of Piercys The Secretary Chant gives a good indication of the discover of statements that bug out with My hips are a desk. From my ears hang / chains of paper clips (lines 1-3), metaphors that make the reader visualize that the speaker is only a place where office machines connect together to form her purpose at the firm, as an object to perform tasks. The starting line six lines, a s well as, lines eight by dint of and through xiii vividly describe in detail where each office cater and machine connects. And, there are, of course, as in any office, a joust of things that the speaker would be commanded to do. Would you get me a cup of coffee? sacrifice a copy of this report, please. Have you typed that letter up for my signature?To me the speaker states a list of things she is comprised of, just like the boss gives her a list of things to perform. And the list continues on and on and on. In the first line the speaker gives the reader a vision that her hips are just a place to put things, when no other work is being performed. The lines paint a picture of the frustration and the monotony the speakers body part have become. Even when the speaker complains From my mouth issue privyceled reams (16). The paradoxical indisposition falls on deaf ears as if any one would heed to a machine that needs to get back to performing its tasks.The speaker has become one with her desk, supplies, and office equipment. This goes on to reinforce the theme that the speakers only usefulness is to perform the tasks that are asked for the speaker as an object, and as the office machines. Marge Piercys The Secretary Chant conveys through sound and imagery the dehumanization, while doing a good job of masking emotional frustration with the performance of tasks in the office. Piercy uses sound in ii lines The Secretary Chant by using onomatopoeia to give the readers imagination of the speaker becoming a machine through speech that sound like what machines sound like Buzz.Click (7). And also the cash record sound of Zing. Tinkle (14). The sound of the speakers brain hot up on overload can be felt through the denotive mental image in the lines My head is a switchboard / where go through lines crackle. (9-10). Piercy uses alliteration, To drive home the point, in the last four lines of The Secretary Chant in which the speaker breaks down in a hopeless s moke of printed emotion copied and delivered from herself saying File me under W because I wonce was a woman. (21-24)Piercy visually shows the last true part of the speaker giving up her emotion and placing it only where the reader can find out somewhat by looking somewhere else in the office machine that takes over. Marge Piercys The Secretary Chant uses sounds to show that human emotion can be filed away and replaced. In John Updikes Player Piano personification is utilize to wake up an inhuman delicate that plays itself, test of like the poem itself does when read aloud. Updike uses assonance and consonance in the first couple of lines to give musicality to the lines.The devices are first used with a repetition of -ick sounds to mimic the keys on the piano. Onomatopoeia is used throughout the poem to as words make the sounds musically and mimic the Player Piano. The author follows those sounds with a repetition of -uck sounds. There are a lot of sound button on in the first stanza, including alliteration internal rhymes, diction and meter with all coming together with the smooth s sounds a winsome melody. Updike uses a connotation for life when the speaker says Light-footed, my steel feelers flicker (line 3).The connotation of the word flicker means life, as long as the firing is burning and the denotation means to move with a fast or jerky motion. The combination of the two meanings gives the emotional state that the piano is alive. John Updikes poem, Player Piano shows through sound and images that the personification of the mechanical speaker is alive and lively. In the second and third stanza build on the personification with the Player Piano speaker says My paper can caper surrender (5).An internal rhyme that suggests that the paper can leap and jump somewhat like it is alive, followed by a mickleon which adds to the unrestrained movement like soul young and full of energy. Updike uses onomatopoeia, alliteration, internal rhyme and assonan ce when describing lines five through eight. But there is a little change in the belief when the reader says Is broadcast by dint of my din, / And no man or band has a hand in / The tones I turn on from within (6-8). Dint means force or effort the speakers business office of a jumble of loud, discordant sounds, followed by what I think the poem means perfect alone on his own.This is irony at its best, because the piano was created by a man, the music played, composed by a human. Then, through the speaker saying in the last two lines But neer my numb plucker fumbles, / Misstrums me, or tries a new tune (11-12). Cacophony is used on line eleven, lines that are discordant and difficult for a human to pronounce the piano does so with ease and perfection, But it cant compose anything new, teach itself how to play a new song, play with feeling and emotion. And it is this very human thing that it cannot replace.John Updikes poem, Player Piano conveys through sound and images the personi fication of the mechanical speaker is alive, but explains that a machine cannot replace human emotion. In Marge Piercys The Secretary Chant, the author uses images and sound to both dehumanize and mechanize the female speaker, while John Updike uses imagery and sounds to make the Player Piano come alive. Piercy uses images visualizing the speakers dehumanization to make some valid thoughts of only being viewed as an object, and only being good at tasks the speaker is engage to perform.Piercy through sound and description, with vivid detail, became just another task only good for what the job description entailed. The speaker by giving up, because no one listened, showed that humans with emotions can be replaced. Player Piano through rhyme, alliteration, consonance, cacophony, diction, and meter make the poem sound and read like music. The images that Updikes speaker brings forth when the poem is read out loud are melodic and, a perfectly played piano only works within the constrain ts of the human-made machine.The best use of sound and imagery goes to John Updikes Player Piano. Updike through sound and imagery, and the musical feeling shown through the personification of the speaker, conveys that humans with emotion cannot be replaced.Works Cited Pierce, Marge. The Secretary Chant. The Compact Bedford Introduction to Literature. Ed. Michael Meyer. 9th ed. capital of Massachusetts Bedford/St. Martins, 2012. 550. Print. Updike, John. Player Piano. The Compact Bedford Introduction to Literature. Ed. Michael Meyer. 9th ed. Boston Bedford/St. Martins, 2012. 708. Print.